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Celebrity Death Watch: James Wright was the president of Dartmouth College from 1998 to 2009. Dick Ellsworth was a pitcher, primarily for the Cubs. Michael Callan originated the role of Riff in West Side Story on Broadway. Charles Sherrod was a civil rights activist. Mary Adelia McLeod was the first female bishop of an Episcopal diocese. Lucious Jackson played basketball for the Philadelphia 76ers. James McDivitt was an astronaut who flew on Gemini 4 and Apollo 9. Jan Rabson was a voice actor who played the role of Leisure Suit Larry, among many others. Robbie Coltrane was an actor who got a lot of attention as Hagrid in the Harry Potter movies. Noel Duggan was an Irish musician who was part of Clannad (and was, by the way, Enya’s uncle). Benjamin Civiletti was Jimmy Carter’s last attorney general. Alan Halsey was a poet who managed The Poetry Bookshop in Hay-on-Wye for 18 years. Carmen Callil co-founded the magazine Spare Rib and founded Virago Press, which publishes feminist works, including books by such authors as Margaret Atwood, Adrienne Rich, and Naomi Wolf.


You can’t possibly need me to tell you who Angela Lansbury was. She was such an iconic actress, whose career spanned film, stage (5 Tony awards, plus a special one for lifetime achievement!), and television. This Interview with the New York Times was recorded in 2010, under the condition that it not be released until after her death.

Bruce Sutter was a relief pitcher for the Saint Louis Cardinals. He was the first pitcher to be inducted into the Baseball Hall of Fame without having ever started a game. He was also a pioneer of the split-finger fastball. Overall, he was one of those rare players who actually changed the sport.


Family Death Watch: I recently learned that my distant cousin, Aharon Schwartzbard, died in August of 2021. I’d never met him in person but we were connected on FaceBook. I guess it’s another reminder that I’m part of the older generation.


Faraday Prize Lecture: The Royal Society gives out the annual Faraday Prize to a scientist who excels in communicating to the general public. The winner gives a public lecture, which was available on-line. This year’s went to neuroscientist Professor Sophie Scott, whose lecture was titled Funny, peculiar? The Science of Laughter. Here are a few of the highlights:

  • She talked a lot about laughter in other animals, including apes and rats (who, apparently enjoy being tickled. Who knew?)
  • Laughter is associated with play. All animals play when juvenile.
  • In terms of the rib cage, laughter is prioritized over breathing, so laughter is literally trying to kill you.
  • Contagious laughter is a learned behavior and may be unique to humans. You are 30 times more likely to laugh if other people are around.
  • We all laugh more than we think we do. (As someone who laughs a lot, I find this slightly frightening.)
  • Laughter serves to de-stress situations.
  • There are no convincing examples of humor in wild animals, though they do laugh.
  • Humans are th only animals that produce emotional tears.


Overall, this was a fascinating and entertaining lecture. You can find a recording of it here


Book Club: My book club met Wednesday night and we talked about The Midnight Library by Matt Haig. Overall, pretty much everybody liked the book and we had a good conversation about whether or not we’d want to have a similar experience of seeing how things would have turned out had we made other choices in the past. I admit to some curiosity about some decisions I made, but I don’t have regrets associated with them.


Storytelling: The Musical: On Thursday night, I watched Better Said Than Done’s virtual storytelling show. Storytelling: The Musical. The gimmick was that each of the six tellers had (primarily original) songs interspersed in their stories. Ed Stivender’s material was largely excerpted from his show (and book), Raised Catholic, Can You Tell? It was entertaining, but felt a little bit long. Gwendolyn Napier told a story about taking herself out to dinner and meeting a man who she fell in love with. Norm Brecke did songs based on “The Three Billy Goats Gruff” and “The Three Little Pigs.” Lona Bartlett told about the songs she sang to her children and the struggle to find ones that weren’t full of death. Alton Chung talked about a community theatre production of Into the Woods. Saving the best for last, Anne Rutherford had a very funny version of The Princess and the Pea, somewhat along the lines of Once Upon a Mattress. All in all, it was a fun show.


Jonathan Richman: It is apparently Bostonian month at the Lincoln Theatre in D.C. I went to see Jonathan Richman on Friday night and will be seeing the Dropkick Murphys next week. Because it was open seating, I made a point of getting there early (after grabbing a quick bowl of vegan chili at Ben’s Chili Bowl, which is an iconic DC place) and ended up having a great, far-ranging conversation with a couple of other people who were there early. As usual, Jonathan was brilliant. He did several songs that drew on works by Rumi, including “He Gave Us the Wine to Taste.” There was a great mix of old and new, ranging from “That Summer Feeling” and “Dancing at the Lesbian Bar” (which had everybody singing along - and wishing we could dance along) to “Everybody Loves Dolly,” “People Are Shameless,” and an instrumental piece called “Guitar in Orange, Drums in Pale Purple.” I was particularly pleased to hear “The Fenway,” which I hadn’t heard in ages. And everyone enjoyed singing along to “Cold Pizza.” All in all, a great show, full of child-like sincerity and laughter.


Once On This Island: On Saturday afternoon, I went to see the Constellation Theatre Company’s production of Once On This Island at the Source Theatre. While I do own the original cast recording of this musical, I hadn’t listened to it in a long time and I admit I didn’t really know much about the show. I was very pleasantly surprised. The basic plot involves a French Caribbean island that is divided into two worlds, primarily along racial lines. A poor peasant girl rescues a member of the rich beauxhommes after he crashes his car and decides her fate is to save him. She offers her life to the god of death, in exchange for his. Throughout, the gods influence what happens, for better or worse. The story is interesting and the music is effective in moving it along and telling the audience how the characters feel. I was hooked right from the beginning, with the Afro-Caribbean beats of “We Dance.” I will definitely be listening to the cast recording more often!

After the show, we stopped by Ice Cream Jubilee, where I had a scoop of their maple rye pecan ice cream. I got home in time to eat a somewhat healthier supper and go to the monthly Voices in the Glen story swap, where I inflicted my seasonal story “Lyle and the Ghost” on my friends.


And now I am pretty much caught up.
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The main reason that I've been really busy is that I am involved with the 2nd annual Women's Storytelling Festival, which starts Friday (March 19th). Last year's festival was the last event I was at before everything shut down. This year's event is virtual, which means that any of you can attend, regardless of where you live. You can see the schedule and buy tickets at Women's Storytelling Festival. The stream will be up (for ticket holders) for two weeks so you don't have to be glued to your computer all weekend. I am emceeing the Story Swap, open to anyone who wants to tell, on Sunday morning at 10 EDT. I'm also doing a bunch of behind the scenes work during the festival. Right now, I am finishing writing up blog posts about the festival tellers, as well as compiling introductions for the emcees to use.


The other big thing I did this week was getting interviewed on Walking on the Moon on Takoma Radio. You can skip to about 8:20 p.m. and my segment ends a little after 9 p.m. Danny asked me about being a woman in engineering, but also about STEM in general. And about storytelling and how that fits in. He'd given me questions beforehand and I also gave him this video (below), which he played just a little snippet of:

"


Anyway, Danny may have regretted asking me a question about any possible relation between quantum theory and Q-anon. My inherent smart ass tendencies came out. I asked the Style Invitational Loser community for help with interesting words starting with "q" to prepare. So I said "Not to be querulous but such a quixotic question makes me queasy. Quintillions of people quake and quiver to consider the qualities of of quarks and quanta, afraid to get quagmired in the quicksand of quizzical quirks. So, rather than query the quintessentials of that quandary, it would be better to quit quietly."
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Back in October, fansee asked me (in response to my retirement) how I came to be a satellite systems engineer and, more specifically, about my experiences as a woman in that field. I have plenty of other catching up to do, but I’m in the mood to write about this.


As far back as I can remember, I was interested in science. As a child in the 1960’s, I had a particular interest in space. The first book I remember, from about age 5, was You Will Go to the Moon. Later on, I recall writing to NASA and getting pictures of spacecraft and planets. The first news story I remember was John Glenn orbiting the earth, And the moon landing was one of the major events of my childhood.


But, when I asked if girls could become astronauts, my mother said, “no, but maybe when you’re old enough...” For a while, after reading a biography of Maria Mitchell (part of a series my elementary school library had on childhoods of famous Americans), I thought of becoming an astronomer. Or, at least, going to Vasaar College, like she had. But then I read about Marie Curie in the back of a Classics Comics (possibly one about the story of the atom) and decided I wanted to be a chemist. I did go through other potential careers throughout elementary school and junior high, ranging from being an actress to becoming the first woman to win the Indianapolis 500. But I pretty much stuck to chemistry as the plan. For a while, I specifically wanted to be an analytical chemist for the police department, like Barry Allen (the alter ego of The Flash), which would also solve the problem of how I would get super powers without having been born on Krypton or being an Amazon princess. By high school, I was primarily interested in biochemistry and, specifically, neurochemistry.


That pretty much continued to be the plan. I did well in chemistry class (and other science classes). I also went to two National Science Foundation programs. The Columbia University Science Honors Program was held on Saturdays and I spent 3 years taking the train into the city (and the subway uptown) for it. I took a wide range of classes, not just biochemistry related. I remember one about statistics for psychology, one on elementary particle physics, and a biochemistry class where we extracted DNA - something far more exciting in 1975 than it would be now. There were also afternoon lectures a few times each semester, with the most memorable of those having to do with topology. There were also social benefits, including meeting my first real boyfriend. When there weren’t afternoon lectures, he and I hung out in the city and perpetrated public displays of affection in Central Park. But that’s a whole other story. (Before I met him, I sometimes went to the headquarters of the socialist Zionist group that ran a summer camp I’d gone to for a couple of summers and spent the afternoon handing out leaflets on the street.)


The other NSF program was the Program in Biochemistry (PIB), the summer after my junior year of high school. It was held at the Loomis-Chaffee School in Connecticut and was a mixture of lectures and research projects in small groups. I had actually spent the previous summer taking a summer school class (at my high school) on biochemistry research, which I remember as being almost entirely focused on individual projects, with a few field trips thrown in. I did a project in which I injected the nerves of clams (which are big red threads) with neurotransmitters. I don’t remember what I was trying to prove. As for the field trips. we did one or two to various institutions within a couple of hours of our school. I know we went at least once to Waldemar, which was a medical research facility that had its own summer program for high school students. And I know we went to the Coney Island Aquarium, but I don’t remember if that was an official event.


Anyway, PIB was a fun and intense summer. We took pride in sleep deprivation and people signed up for one hour naps on the sofa in the lounge, for example. We learned how to “sacrifice” mice and grind up their livers in a blender and an unlucky member of my team got a taste when mouth pipetting some of the resulting liquid. We did have papers to write and the various instructors (who were upperclassmen at prestigious universities; the head of my team was a junior at Harvard, if I recall correctly) graded them according to their own systems. There was one instructor who favored the use of classical compositions as grades. To this day, I have no idea whether “Glinka’s Summer Night in Madrid” was or was not a good grade. We also had various extracurricular trips. I know I went to concerts at Tanglewood a few times. There were tours of various colleges. And there was a trip to New York to see Equus on Broadway.


So, when I was applying to colleges, I was still planning to be a chemistry major. But my brother was busily setting a Michigan State record for changing majors and someone I knew from high school was rethinking his plan to major in math at Yale. I chose MIT over Yale largely because I figured that, if I did change my mind about my major, I would still want to do something scientific.


Freshman year included 5.41, which was an Intro to Organic Chemistry class. I was reasonably well prepared and went on the next semester to the next class, 5.42. (I was also taking a lab class.) I discovered that, while I could think of lots of reactions that could happen, I often had no idea which one would happen. More significantly, I was not enjoying either of those two classes. At the same time, I read about some work that people in the mechanical engineering department were doing on prosthetics that used the body’s nervous system. That sounded fascinating and I looked further at ME as a major. (Or, in MIT lingo, Course 2.) The biggest advantage is that it would give me a broad engineering background, meaning I didn’t really have to make up my mind. There was a program (2A) that let you design your own major within the ME department and I used that to design what was, essentially, a biomedical engineering major.


One of the first classes I took was 2.02, Introduction to System Dynamics. This was focused on modeling and it just clicked with my desire to view the world as simple. There were a few times that I rushed back to my dorm room after class to work on a problem set right away to see if it all made as much sense as I thought it did. (I assure you that was not normal behavior for me.) Anyway, people said that if I liked that class, I should take 2.14, which was Introduction to Control Systems. I did and it continued to click with me. So I kept taking classes in system dynamics and controls and enjoying them. And I pursued that into grad school (at UC Berkeley).


While I was in grad school, I got a fellowship from NASA, which came about mostly because one of my professors knew somebody and helped me write the application. When I was nearing completing my doctorate and was job hunting, I did look at things in various industries, but most of the interesting controls issues were in the aerospace industry. I went to work at The Aerospace Corporation (aka The Circle-A Ranch) largely because it offered the opportunity to work across a wide range of systems. And that worked out we’ll for me, obviously, since I stayed there (in various jobs) for 35 years.



This has been fairly long and I haven’t gotten to writing about the specific issue of being a woman in the field. The short version is that I certainly had to deal with individual assholes, but I was always able to find support. As an undergrad at MIT, I chose to live in an all-women’s dorm, partly to have other women to vent to. Most of that was in the form of mircroaggressions, e.g. the instructor who headed a research project I worked on who kept a ruler with Playboy pictures on his desk or another professor who would make comments like “those co-eds are always turning in things late.” The most egregious example was a professor who had started every lecture for years by addressing the class as “:Gentlemen.” I was the only girl in the class and he’d then start with “Gentlemen,…and Miss Nadel.” On the plus side, he definitely knew who I was and I did well in his class. (I am fairly sure he was entirely unconscious of why this was annoying.) I should also mention that my undergrad advisor was a woman.


In grad school, I remember a reception where our department head proudly announced that he had doubled the number of women on the department faculty. They’d hired one person. (They did hire a couple more while I was still there.) But there were a couple of other women working on Ph.D.s and, even though we were in different subfields, we often had coffee together.


Job hunting was another story. A few places made a point of having me talk with a token woman in their group. More than one interviewer expressed surprise at seeing a female job candidate. One organization even sent me a thank you letter addressed to “Mr. Nadel” after my interview.


Circle-A was pretty good from that standpoint. Yes, I often found myself counting the number of women in the room at meetings (which included government and contractor employees, too), but I can think of only a handful of inappropriate comments. I do know of one woman whose (female) boss told her she should wear makeup. And I’ve heard of a few incidents of sexual harassment. On the plus side, we did have an African-American woman as our CEO for several years.


Overall, I had a career that suited me well.
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Elections: Most of the election in my district was uninteresting, since I live in an area that is so blue that it is practically indigo. The Republicans no longer bother running candidates for Delegate or State Senator here. But we did have an interesting race for our representative to the County Board of Supervisors, with a Republican candidate whose platform included restoring female modesty to schools and rec centers. I actually approve of many school dress codes, but I believe they should apply to boys, as well as girls. And rec centers? How do you apply female modesty to swimming pools and gyms and still allow girls and women enough freedom of movement to exercise?

Fortunately, the rightest of right wingers lost (not surprisingly). But where does the Virginia Republican Party find these people?


Condo Association Annual Meeting: Wednesday night was our annual condo association meeting. There were only as many candidates for the board as there were openings, so it should have been short and sweet. Except, there is the matter of this lawsuit. We share our clubhouse with another condo association (representing the building next door) and they don’t like how much they have to pay to use the facilities. So there was a whole big presentation on that. The only thing we can really do is wait while the lawyers fight it out.


A Chorus Line: I went to see A Chorus Line at Signature Theatre on Friday night. The big deal with this production is that it is the first time Michael Bennett’s estate has given permission to use new choreography (in this case, by Denis Jones). I saw the show during its original run, but that was long enough ago that I remember little of the original choreography.

The main thing to keep in mind is that this was always intended to be an ensemble show, based on real stories of real dancers. Despite which, a few of the stories are always going to end up dominating the evening. The most obvious one is the history between Cassie, who failed at her attempt at stardom and is willing to be back in the chorus, and Zach, the director. Paul doesn’t get a solo song, but his monologue is the longest in the show. It’s hard to remember how revolutionary his story of coming to terms with his sexuality – and his parents’ eventual acceptance of who he was – seemed in the late 1970’s. The most dated line is the one about "what do Puerto Ricans know about musical theatre?" but Lin-Manuel Miranda wasn’t even born when the show was first produced. But I still think the line in "I Hope I Get It" which runs "What am I anyway? Am I my resume?" (not, of course, unique to dancers) captures the experience of people in their 20’s. And "At the Ballet" remains one of the saddest songs ever in a musical, with its contrast between the emotional abuse of childhood and the beauty of the ballet. Throw in the humor of "Sing!" and "Dance Ten, Looks Three" and the spectacle of "One” and the score remains memorable. Despite all of that, the song which sticks in my head afterwards is one that isn’t even from this show. It’s Kander and Ebb’s "Why Don’t They Mention the Pain"” which was apparently written for Chita Rivera and is sometimes included in And the World Goes ‘Round under the title "Pain." Let’s just say that my strongest sensory memory of many years of dance classes of various sorts has to do with the smell of ben-gay.

As for the performances, I’ll particularly note Jeff Gorti as Paul and Signature regular Maria Rizzo as Sheila. But it is unfair to single people out in what is, after all, an ensemble show. It’s a good show. Go see it if you can.


Metro Whine: Because I had gone from work, I took the bus to/from Shirlington (where Signature Theatre is) on Friday night. Taking the bus back to connect with the metro, I was really annoyed when the driver made racist comments about "Spanish" immigrants. Oy.


One Day University: The metro was also annoying on Sunday, when they were doing track work that made what should be a 45 minute trip take nearly twice that. Still, it isn’t as though I had any desire to drive into the city and I definitely have no desire to ever park anywhere near Lisner Auditorium, where One Day University was being held.

Anyway, I made it before the talks started. The first speaker was Stephanie Yuhl of College of the Holy Cross on The Shifting Lens of History: How We Reimagine the Past. Her key point was that there is a distinction between history, which allows for multiple perspectives, and heritage, which she defined as a particular social groups claims about their past. She talked about the role language plays in this (e.g. whether we refer to "slaves" or "enslaved persons"), what stories we tell (e.g. lack of discussion of the domestic slave trade), and what monuments we have. One interesting bit of trivia was that a statue of King George III was melted down and the lead which most of it was made of was used to make bullets during the Revolutionary War. Re: monuments, she spent a lot of time on World War II and on the American War in Vietnam. I think that the fate of monuments to Lenin in Russia would probably be an even better example, as there are still statues of him in places that most Russians would think of as the hinterlands (not just parts of Siberia, but also in places like Belarus). Overall, it was an interesting and thought-provoking talk.


The second speaker was David Helfand of Columbia University on What We Know About the Universe (and What We Don’t Know). He emphasized the centrality of light to the study of cosmology and how our ability to perceive only visible light limits our perception. He showed a lot of photos from the Hubble Space Telescope and mentioned things like dark matter and dark energy. Because One Day University was being chintzy and didn’t serve coffee and I refuse to pay four bucks for a cup of the swill the Lisner Auditorium sells, my blood caffeine level was too low to stay awake for much of this.


The third and final talk was by Sean Hartley of Kaufman Music Center on Four Memorable Musicals That Changed Broadway. For a theatre geek like me, it was pretty easy to predict which musicals he would talk about. Pretty much everybody acknowledges Showboat as the turning point of the American musical, using songs to tell a story, versus just interjecting popular music that doesn’t advance the plot. In addition, it dealt with the serious subject of miscegenation and it had a sort of integrated cast. Only sort of because the white characters and black characters interact only in the context of master and servant, not as equals.

The next obvious choice is Oklahoma! which advanced the idea of the book musical and triggered a whole era of that genre. I think he missed a key point by not mentioning choreography at all. Oklahoma! is generally credited with introducing the dream ballet, an instrumental piece in which dance moves the plot along and reflects character. On the plus side, he had an audience sing-along (to "Oh What a Beautiful Morning") which is always a fun thing.

His third choice was Company, which was the first successful concept musical, as well as the first Stephen Sondheim musical that Hal Prince produced. He was a bit mocking of Sondheim’s concepts, however, which he described primarily as people regretting what they’ve done in their loves.

Finally, he talked about Hamilton. While I can’t argue with its success, I think it’s too early to tell how much long-term influence it will have on Broadway. Also, Hartley got several things wrong there. For one, Lin-Manuel Miranda was born in New York and was not an immigrant. (I’d argue that even had he been born in Puerto Rico, he wouldn’t be an immigrant as he would still be a natural-born U.S. citizen.) I also think it’s unfair not to mention his earlier success with In the Heights, which did win the Best Musical Tony (and three others).

On the plus side, he did also talk about the role of regional theatres in keeping musicals a viable art form. That’s precisely why I support Signature Theatre and Creative Cauldron (among others). Still, I wish he’d said something I didn’t already know.


Veteran’s Day: I did not get off from work yesterday. Alas, neither did the people doing extremely noisy construction work inches from my office. Sigh.


Weather Whine: It should not be this cold until December. I need to fast forward to April or so.






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Work is busy but frustrating.

I have been in sort of a swirl of trying to get caught up on the chaos that is my condo, but getting distracted by other things (mostly reading things on-line and catching up on crosswords) instead. I had particularly good intentions for Saturday, but spent much of the day in suspended animation, i.e. alternating between reading and napping.

Sunday, on the other hand, was a swirl of activity. The morning was One-Day University, with three presentations focused on the theme of Genius. I will write more about those below. I was supposed to rush from there to rehearsal for an upcoming storytelling show, but realized I had misremembered when One Day University ended, so opted to run my story (which is not a new one) over the phone on Monday instead. That gave me roughly an hour at home to get some housework done before heading to Arlington for dinner and trivia at Heavy Seas Alehouse with some Losers, i.e. devotees of the Style Invitational. I was clearly tired as I badly misinterpreted a cocktail I ordered. Any Port in the Storm turned out to have ginger syrup and golden ale, not ginger ale. I was thinking it would be sort of like a Dark and Stormy, but it was too sweet. We did, however, win at trivia, even though we were completely hopeless at a fill-in-the-blank lyrics component, which involved a rap song none of us had even heard of.

FDR: The first was by Jeffrey Engle of SMU on Franklin Delano Roosevelt. He started by pointing out that a lot of politicians – including George H.W. Bush, Osama Bin Laden, and Kim Davis – have claimed to be acting in the name of freedom, but that most never define what they mean by freedom. FDR, however, was very specific in his Four Freedoms speech, which he noted came 10 and a half months before Pearl Harbor. Those four freedoms are, of course, freedom of speech, freedom of worship, freedom from want, and freedom from fear.

Anyway, his main point was that FDR’s success was due to his skill with rhetoric, his optimism, his pragmatism / flexibility, and his empathy. Regarding the latter, he believed that bad things can happen to people through no fault of their own, probably because of his own experience with polio. (By the way, Professor Engel noted that people actually did know FDR was paralyzed, even if they didn’t see photos of him in a wheelchair.) As for political ideology, FDR stated that he was: 1) a Democrat and 2) a Christian. He thought aerial bombing was immoral, but realized it was a valuable tactic. Similarly, he (and the Democratic party of the time) believed in a balanced budget, but was willing to experiment with government spending to end the Depression.

Overall, this was an entertaining talk, especially because of a lot of trivia Engel threw in. For example, he talked about how disliked William Jennings Bryan was as Secretary of State because he was a teetotaler who banned alcohol from diplomatic parties. And he noted that "Make America Great Again was Warren G. Harding’s campaign slogan.

Marie Curie: The second talk was on Marie Curie by Susan Lindee of the University of Pennsylvania. She started out by pointing out that genius is a social category. That is, just being great at what you do is not enough. You have to work to get the recognition, too.

Anyway, Maria Sklodowski and her sister, Bronislawa (who became a doctor) were encouraged by their father in their studies. Originally, Maria was supposed to work as a nanny to pay for Bronislawa’s education, but their father got a good job, enabling her to enroll in the Sorbonne instead. She got top grades in math and physics. Her need for lab space led to her introduction to Pierre Curie and she married him in 1895, a little over a year after they met. Fun trivia is that they spent their honeymoon on a bicycling trip, complete with fashionable biking outfits.

The Curies shared the 1903 Nobel Prize in Physics with Henri Becquerel. Pierre insisted Marie (as she had modified her name from Polish to French) be included. In 1896, Pierre was killed in a cart accident after slipping on a wet road. (By the way, this was the day before the San Francisco earthquake and fire, so was a bit overshadowed in the news.) Marie went on to win the 1911 Nobel Prize in Chemistry. She also went on to a scandalous affair with Paul Langevin, who was married. The affair resulted in five duels, only one of which involved Langevin himself. Langevin eventually did go back to his wife, by the way.

Other notable things Marie did included creating x-ray wagons for use on World War I battlefields (and drive one herself, as well as teaching other women how to drive them and read the x-rays), writing a biography of Pierre, and persuaded an American journalist to raise money to buy her radium for her research. And she had two daughters, one of whom, Irene, shared a Nobel prize with her husband, Frederic Joliot-Curie, while the other (Eve) wrote a biography of Marie. Eve’s husband, Henry Richardson Labouisse, Jr., went on to win the Nobel Peace Prize in 1965 on behalf of UNICEF. More fun trivia is that Irene’s daughter, Helene, married Michel Langevin, the grandson of Paul Langevin.

Final point was that Marie Curie never made any statements about the rights of women. However, she did hire a lot of women in her lab, which may be more practical feminism. And she was very good at promoting herself, which is why we know more about her than a lot of other women in science. That goes back to the idea of genius as a social construct. Self-promotion is, alas, an element of genius.

Mozart: The final lecture was on Mozart and was given by Craig Wright of Yale. He started with having us sing, which was a good way to make sure everyone is awake after a couple of lectures. Unlike the other lecturers, Professor Wright gave an actual definition of genius as involving a person whose creative works or insights change society in some significant way (for good or ill) across time and across cultures. He then went on to talk about two types of cognitive processes in music – 1) perceiving and replicating music and 2) creating music. I’m not sure he is completely correct about the first of those. I believe that I perceive music well, but I am not good at replicating it. That is, there are various tests I do well at, e.g. of the ability to perceive intervals But I am no good at the mechanics of reproducing those to sing or play an instrument by ear. Mozart was very good at both aspects of the former, reportedly having perfect pitch, which enabled him to hear a piece once and them play it. And his manuscripts are lacking in corrections.

Wright than discussed aspects of creativity, which he said is facilitated by opportunity, motivation and an active and vivid imagination. Some of the things he talked about as far as creative thinking are associative thinking (which also included verbal, as well as musical, sounds in Mozart’s case), combinative thinking / synthesis, homospatial thinking (which he defined as multiple strands of information superimposed in one temporal space), iconoclastic thinking (including scatological thinking), and dhildlike thinking. The latter two could be combined as a lack of barriers to imagination. He showed various examples of these aspects of Mozart’s work throughout, including clips from the movie Amadeus. One of the most interesting was an animated visualization of the Jupiter Symphony.

At the end, somebody asked what other composers Wright would consider geniuses. He cited Mahler, Beethoven, and Bach. I’ve been pondering that question all week. I think there’s an inherent difficulty in thinking about it because we can’t really hear a piece of music the way people heard it when it was first written. I value the revolutionary aspect of genius, which is why I’d put Balakirev on my list for his work fusing traditional (Russian) folk music with classical practice, leading to whole idea of nationalistic music. So, while I think Mussorgsky was the most musically talented of The Five (or would have been if he hadn’t fallen to drink), Balakirev is the more historically important.

I am not entirely consistent, however, because I’d list Gershwin above Berlin, even though the latter is the one who really emphasized jazz and ragtime as fundamentally American music. And, yes, Mozart and Bach belong on the list, too, because I am a product of Western culture.
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Celebrity Death Watch: Aaron Hernandez played football for the New England Patriots before his arrest in a murder case. Lawrence Hogan served in the U.S. House of Representatives from Maryland, where his son is currently the governor. Cuba Gooding, Sr. was a soul singer and the father of actor, Cuba Gooding, Jr. Erin Moran was an actress, best know for Joanie Loves Chachi. Robert Pirsig wrote Zen and the Art of Motorcycle Maintenance, a book I have intended to read for many years but never gotten around to.

Fun Home: The touring production of Fun Home, a musical based on Alison Bechdel’s autobiographical graphic novel is playing at the National Theatre and I saw it last week. The story is fairly simple – Alison is gay and becomes a lesbian cartoonist. Her father is gay and commits suicide. (That is not a spoiler. She says it in the first few minutes of the show.) The interesting thing is how the story is told, with adult Alison narrating the action and two younger versions of herself acting appropriate parts of it. Almost all of the focus is on Alison’s relationship with her father, which is ironic given the Bechdel-Wallace test. There are two other female characters – her mother and her first lover - and most of what she talks about with them is that relationship.

I will admit to having had some skepticism, because this is the sort of premise that could lead to a preachy or dull show. But it is neither. We all have coming of age discoveries to make and we all have evolving relationships with our families and we all learn things about our parents that may make us reassess those relationships. Small Alison (about 9 years old) is a cute and lively kid, longing for Dad’s attention, yet recoiling when it comes in the form of asking for help at the family funeral home (which is the source of the title). Medium Alison (a college freshman) felt exactly right for that confusing age and got one of the best songs as she enters a relationship and sings about changing her major to Joan. I also through that Abby Corrigan, who played Medium Alison, was a particularly strong performer. Robert Petkoff was also notable as Bruce, Alison’s father, who was somewhat trapped by his times and didn’t know how to deal with that. He’s not particularly likeable, but it’s also obvious he causes himself as much pain as he causes to other people.

I should also note that Lisa Kron’s book and lyrics and Jeanine Tesori’s music were enjoyable. There is a nice blend of serious and silly among the songs. One of the things I have been known to whine about is musicals where the music serves no real purpose. Here, it does illuminate character and emotion. I do wish, however, that the program had included a song list.

Overall, I highly recommend seeing it while it’s here.


March for Science: Saturday was the March for Science. I had mixed feelings about the whole thing, largely because a lot of the discussion on their facebook page was treating the whole thing as cosplay and focused on silly signs and so on. The real issue, in my opinion, is Trump’s failure to appoint people to key science roles, e.g. science advisor to the President, NASA director, NOAA director. But a friend was in town for it. Notably a long-time friend, who is used to my snarkiness and contributes a certain level of his own snark. We skipped the speeches, met for lunch at a Thai restaurant, and then went over to catch the end of the rally part and march from the Washington Monument to the Capitol. The weather was crappy (chilly and rainy) but I had a poncho and he had a jacket and rain hat and, as my Dad used to say, people are more or less waterproof. So March we did, along with snide comments about signs that were off-message, as well as admiration for some clever ones. The chanting got nicely loud around the EPA building. If nothing else, we got a good walk out of it.

Brunch and Batteries: I had a chavurah brunch to go to on Sunday. Unfortunately, when I went out to go to it, my car battery was dead. I took a cab over (and got a ride home), but it was still stressful. The food was pretty good and the conversation was good, so it was worth it. When I got home, I called AAA and they brought a new battery and installed it. It's still annoying, but not horribly painful.
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Two quick notes before getting into the main subject: 1) Disco singer Donna Summer has died. 2) We get various alerts on our computer system at work. Most of them have to do with things like a fire alarm in some corridor or a ceremonial flyover at Arlington National Cemetery. Yesterday, however, there was one that was new to me. We got an alert about a swarm of bees at one of the entrances. There was a follow-up an hour or so later reporting the arrival of a bee remediation team.

Anyway, I spent the last Saturday in April emceeing the main stage at the USA Science and Engineering Festival. Overall, it was mostly fun, but there were a few annoyances. One was a guy who showed up claiming to be one of the emcees who was really supposed to be at a different stage. That just meant some quick reshuffling. Another was that the sound system was set up in a way that limited the emcees to using the podium microphone, rather than handhelds which would have let us go out into the audience. One big problem was crowd control. There were huge crowds for the big name performers on the stage (e.g. The Mythbusters and Bill Nye, the Science Guy) and people filled the aisles and every inch of available space. Frankly, I believe this was a real safety problem. Another problem was keeping people on time. The Mythbusters arrived late, but finished close to on-time, since they were mostly doing a Q&A. Bill Nye, however, had a complicated set-up and tear down and ran about a half hour over his time. The person who followed him (Science Comedian Brian Malow) very graciously cut his presentation down to about 10 minutes, but it really wasn’t fair to him. I understand that the big names draw people in, but there needs to be a better way to manage both them and the crowds that come to see them.

I should explain why the inability to use a handheld microphone was an issue. We had various things to give away – periodic table posters, candy, and a few t-shirts. The other emcee opted to use trivia questions for these. My brilliant inspiration (which worked very well) was to print out slips of paper with various child-suitable science jokes and have volunteers draw a slip from a bag to determine which joke I would tell. I then gave posters to all the volunteers. This would obviously have been easier if I could have gone out into the audience to do it, instead of having kids come up to the edge of the stage (which also meant I had to go back to the podium to read the joke they’d chosen).

Overall, I’d say the event was a success. The glitches didn’t seem to have a serious impact on anyone’s enjoyment of the event.

click here for selection of science jokes I had on hand )
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I have plenty of things to write about but I won't get to them for a few days.

I did, however, want to put out a reminder that the USA Science and Engineering Festival is this weekend at the D.C. Convention Center.

I am emceeing the main stage (designated Curie Stage on the festival map) on Saturday. I get to introduce people you have heard of.

I will also point you to Hall A, Booth 3557 at which my employer will answer the vital question, "Is the sky falling?"
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I had an incredibly busy week (mostly preparing a briefing for a high muckety-muck), followed by an incredibly busy weekend. Much of that activity had to do with the
USA Science and Engineering Festival
.

There had been a previous, smaller event in San Diego, but this was the first national event. Apparently, there were satellite events in several cities, but the festival on the National Mall was the culmination of the festvities. There were 1500 exhibitors and over 75 performers, so the whole thing was pretty big. I'd volunteered in response to an email from the MIT Club of Washington and was assigned to work at the info booth in the Mellon Auditorium. I should note that when I signed up, I checked the boxes for Saturday morning and Saturday afternoon, assuming I would be assigned to one of those times, but they signed me up for both. Several other people commented on this, so it would help to clarify this for future events.

I got down there fairly early Saturday and checked in at the Command Center. Then I walked over to the Mellon Auditorium where the security guards checked my ID and told me to go to the third floor. As it turned out, they were confused - the third floor was where Lockheed Martin was checking in their volunteers. I went back downstairs and found where the information booth was. We had some scrambling to do to set things up before the festival opened.

Once the festival opened, it became clear that the lay-out of things did not make a lot of sense. The auditorium security funneled people a particular way, so the info booth was actually on their way out, not their way in. We sent people over to stand near the entrance to hand out maps. But all of this could have been solved easily by switching locations of the info booth and the t-shirt sales booth. Again, this is stuff to know for the future.

The actual work was not too bad. The most common questions were predictable things - people wanting to find the restrooms or the shuttle bus stops or the exhibits out on Wilson Plaza. In the latter case, the map was partially at fault, since it made it look like there was an exhit from the back of the auditorium building, which there isn't. Early on, we had a few exhibitors who complained about not getting people to their exhibits, so we did a little pushing. We had also been told to push the "Meet the Scientists" talks, which were in a room at the very back of the building, but that turned out not to be a problem. I went over there to hear Marc Abrahams of The Annals of Improbable Research and his talk was SRO, as was the talk before his.

There were sone questions that were harder to answer. We didn't have an alphabetic list by title of exhibit, so we had to do a lot of scanning (or, in some cases, radio calls to other info booths) to find out where a few specific exhibits were. A couple of people thought that the people who wrote blurbs for the insert in the Thursday Washington Post (e.g. Norm Augustine) were actually speaking at the festival, so were looking for non-existant talks. The resource list told us where things like hardware stores and Starbucks were, but did not give locations of nearby ATMs. (I know the city well enough that I could point them to banks on Pennsylvania Avenue, but some of the other people at the booth were stumped.) Our biggest gap had to do with stamps and stickers that attendees could get on their maps. Some booths were giving out prizes for getting certain stamps, but we weren't given any information at all about those. We did find out about a couple of them, but it was frustrating not to know more. But, overall, these were pretty minor glitches and we were able to be reasonably helpful.

The questions I liked were things like parents looking for activities suitable for children of particular ages (which we did have a list of). My favorite of the day was the young woman who said she wanted to be a meteorologist and asked what booths to go to. Fortunately, I knew exactly where the American Meteorological Society booth was and pointed her there.

My two longer breaks during the day were used to hear the Marc Abrahams talk and to take a couple of things over to the Lost and Found. The latter was partly an excuse to see the exhibits out on Wilson Plaza, Pennsylvania Avenue, and Freedom Plaza, though there wasn't enough time to really do much at most of them. The Improbable Research talk was short and entertaining. It was mostly a summary of the Ig Nobel prizes, with a nice note about the recent Nobelist who had previously won an Ig Nobel. At the end, there was a demo of the bra that converts into two emergency face masks.

I went back on Sunday with a friend who I hadn't seen for a while. Since I could only spend a couple of hours, she brought along another friend and I discovered that going to this sort of thing with a kindergarden teacher can be pretty entertaining. We pretty much wandered the exhibits on the National Mall. We did make a point of stopping off at my company's booth, which had a couple of satellite models, comic books and tangram kits to give out, and an infrared camera. (People could get their photos, but there was aline and it is hardly a novelty for me.) The best exhibit we went to was the Laser Haunted House, which had various laser demos. To be seasonal, many of those involved skulls and other creepy things.

Overall, I think the festival did a great job and I hope it happens again.

Not Cake

Oct. 18th, 2010 04:50 am
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This is one of my hodegpodge entries - basically everything but cake.

Follow-ups: Ron solved the mystery of my "303/357" note to myself. That's a battery size and I wrote it down when I needed to replace the batteries in two of my travel alarm clocks.

I solved the mystery of "3200-11" myself by (duh) googling it. It's a DoD Instruction having to do with test ranges.

I also did a bit of research on "boughten" and found it is northern U.S. dialect. I will note that I use it only as an adjective and almost entirely in relation to food items, though I could stretch to referring to a boughten sweater (as opposed to a hand-knit one).

Sometimes the headline says it all: "Car eating rabbits invade Denver airport." The story explains that the rabbits eat soy-based wiring found in some late model cars.

Weird thing to wonder about: Suppose a transsexual decides to convert to Judaism. What would an Orthodox rabbi do? I am, of course, assuming the person's history is known to the rabbi, but the question becomes harder in some ways and easier in others if it is not.

Fun with names: I was amused to learn that one of the largest manufacturers of glass for the defense industry (e.g. in night vision glasses) is Schott.

Celebrity death watch: I am slightly annoyed (though not at all surprised) that Barbara Billingsley (who played June Cleaver on Leave It To Beaver) got a lot more attention than Benoit Mandelbrot (who did much of the key mathematical research on fractals).

Story swap: I went to the Voices in the Glen story swap at Michael's on Saturday night. There was a reasonably good turn out and the swaps are always fun. A particular highlight was hearing Eve's son, Jonathan, tell "Birds of America." I also enjoyed Bill's story about Elizabeth Bathory.

Coral Reef Update: The Hyperbolic Crochet Coral Reef Exhibit is open at the Smithsonian National Museum of Natural History! It was supposed to open on Saturday but there was a water main break on Constitution Avenue, so the museum was closed. I saw the reef yesterday afternoon and it is lovely. The community reef is the biggest part of the display and is huge. I was able to find some of my contributions. And my name is spelled correctly on the plaque, which is always a plus. The exhibit runs through April 24, so you have lots of time to check it out.

USA Science and Engineering Festival: The inaugural USA Science and Engineering Festival is next weekend. There will be booths on the National Mall and around Freedom Plaza and Wilson Plaza and in the Mellon Auditorium. I'm volunteering and will be at the Mellon Auditorium info booth all day Saturday, so stop by and say hello if you're there. And you should be there. It looks like there are a lot of cool interactive exhibits and plenty of performances on four major stages and several smaller ones. (In case you are wondering how I came to be involved, the call for volunteers went out to a local MIT email list. I went to the volunteer training yesterday, which is why I was already in the city to check out the coral roof.)

Amazing Race: I haven't been to Kiruna, Sweden, though I've been to Sweden and I've stayed at another Ice Hotel (in Quebec). My wrap-up is behind a cut since some people may not have viewed the episode yet.

Read more )

Zero-G!

Mar. 15th, 2009 09:08 pm
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Yesterday was my Zero-G flight and I'm barely getting down to earth enough now to write about it.

As a reminder, I saw the booth from Zero-G at the adventure travel show a few weeks back and immediately said, "oh, wow!" And, yes, I said that out loud in public. Their video showing the weightless experience has got to be one of the most effective marketing tools ever. Since I was already aware that they existed and, in fact, had been thinking about their flights that very morning, I took that as an omen that I was meant to do this. I hesitated over the cost and told myself that I could spend the money if I finished in the upper half in the ACPT. Also, it may be expensive but it's still only about a quarter of what a trip to the North Pole costs.

Anyway, yesterday was the day. I got to the meeting place (the Hyatt at Dulles) early since I had inevitably worried about being late. They had a light breakfast out (basically fruit and pastries) and I drank some ginger tea on the grounds that ginger is a good motion sickness preventative. (Well, also because I like ginger, but I like other sorts of tea, too.) We checked in (which required showing photo ID to TSA agents) and got our flight suits. I'd worried about it fitting, but it was fine. You can wear the flight suit over your clothes, but they recommend you don't as it is better to be cooler in the plane. (By the way, you get to keep the flight suit.) We all noticed that our name tags were upside down. The staff explained that it's a NASA tradition that you get to turn it right side up after you've experienced weightlessness.

There was a bit of a glitch with showing the briefing video, so we didn't see the whole thing. Instead, one of the staff went through the explanation of how parabolic flight works and we only watched the mandatory safety part of the briefing. The most important thing they tell you is, "don't jump." You're also advised not to kick or swim, since that would tend to make you hit other people. They also consider it important that you know things like where the oxygen masks are, since they're not where they are on a normal airplane. There isn't any more chance of needing them than there is on any flight, but the FAA takes hypoxia seriously.

The plane itself is a converted 727. The only thing done to it mechanically had to do with the hydraulics. The interior, however, is very different. There are 6 rows of seats at the back, while the rest of the plane has no seats and is padded on the floor, ceiling and sides. There are only two windows and nobody bothers looking out of them at all. The padded area is divided into three zones, one for each "team" of 12 people. The teams are differentiated by color (gold, silver, blue - I was on silver) and identified by the color of their socks. (Shoes are collected after take-off, since you don't want anybody wearing them while floating around.) Each team has a coach to help them with the experience. There are also two flight attendants and a photographer. We never really saw the pilot, co-pilot and navigator.

After a TSA wanding, during which you have to take the barf bag out of your flight suit pocket since it has a metal strip in it, we went to the plane. We had photos (both by team and of the whole group) taken and then boarded via a rear staircase. We took our seats and waited impatiently to get to the designated airspace for the parabolic flight that creates the different gravity conditions. It took a while but, eventually, we were able to go to our float zones where we lied down on the floor. The first part of each parabola is the increased gravity (1.8 G) part and it mostly feels just like added pressure. You get thirty seconds of that. Then comes the fun part.

The first parabola was Martian gravity (about 1/3 Earth gravity). Most of us spent those 30 seconds doing things like push-ups, including one-handed ones. All too soon the call came out, "Feet down, coming out" and we got back down onto the floor. (The point of the call out is that you want to land on your feet or butt, not your head.) The next two parabolas were lunar gravity and we all practiced bounding around during those. Then came two weightless parabolas. It's very hard to describe. Basically, you're lying on the floor and all of a sudden you're floating. You can flip over and fly like a superhero and curl up and spin and so on. It all got a bit crazy, since were weren't used to things at all. I'm not sure exactly how it happened since everything was going on so quickly, but my glasses got broken somewhere in one of those weightless parabolas. (One of the other people on my team thought she kicked me. I don't remember that - I think they just got knocked off and, since I had them on a tight elastic strap, the bridge broke.) The flight attendant took them from me and I did the rest of the flight somewhat blurrily. (I had my spare glasses in my car, so it wasn't a major issue. If I hadn't had those, it would have been a real problem, since I couldn't have driven home.)

After those 5 parabolas, there was a brief period of level flight. Then came two more sets of 5 weightless parabolas each. During the last set, I got to be the "ball" as two people played catch with me. There was also the opportunity to release M&M's and try to catch them in one's mouth (which I did not attempt without glasses). And our coach released water for people to try to catch globules of. Had I thought of it, it would have been cool to get into a lotus position.

I didn't get motion sick, whether due to natural resilience or my acupressure wrist bands. A few people felt a bit queasy during the last couple of parabolas. As far as I heard, the only person who had to use a barf bag was one of a group of 8 Mexican men who had won the trip as a reward for sales for the Modelo brewery. (There was also a guy who won the trip in a radio contest and a couple of people who'd bid on it in charity auctions. And a writer who is working on a story for GQ about NASA.)

We continued lying on the floor for a while on the way back. Eventually most people sat up and we were served water and snacks. When we got close to Dulles, we had to return to our seats and buckle up. We got our shoes back and we each had our photo taken exiting the plane. We also got our name tags turned right side up.

Back at the Hyatt, I grabbed my car key and got my spare glasses. That let me enjoy the luncheon and "regravitation ceremony." Each person got called up and got a diploma certifying that he or she "has defied gravity, communed with floating objects, levitated, and otherwise successfully completed the Zero G weightless experience." That also included a copy of one of the pre-flight group photos. I should have other photos in a couple of days.

The whole thing was incredible fun. I feel truly blessed to have had this experience. You already know if you're the type of person who might enjoy this and, if you are, I highly recommend it.
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Tonight's event in the week of too many things to do was a talk and reception at the Royal Netherlands Embassy. The speaker was Rogier Windhorst from Arizona State University. His talk included both some of what we've learned using the Hubble Space Telescope and some of the plans for the James Webb Space Telescope. He spoke well and showed lots of interesting pictures. I was particularly amused by his comparisons of the number of stars in certain galaxies to the size of the U.S. budget deficit. The video of how the JWST will deploy was also very interesting (and somewhat frightening to somebody like me who knows a lot of war stories about deployables).

The food at the reception was better than I expected, too, including spring rolls, samosa, and satay, as well as more European offerings. The guests included a number of NASA folks, as well as the MIT attendees (which is what got me on the invite list). All of which meant that I stayed later than I'd expected to. Oh, well, I can always catch up on sleep next month.
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1) I've sorted out most of my vacation plans, though I still need to get my Cambodian visa. Their embassy is in a very strange location. I can actually do the visa electronically, but I like going to embassies. It still amazes me that I can reserve a room in a cheap guesthouse in the developing world via email.

2) In a fit of energy, I've also gone through a bunch of household paperwork, including ordering film festival tickets for Robert's visit.

3) How on earth can eggs get tainted with melamine?

4) Looking at another of my scrawls, I assumed for a minute that the word "delicacy" referred to food. Actually, I was reminding myself to tell somebody about a potential problem with composite materials.

5) Hill's Kitchen is a very cute name for a kitchenware store on Capital Hill. I need to remember to stop in there some day and buy a cookie cutter shaped like Virginia. (They have all the states plus D.C. and now I wonder how they do Hawaii.)

6) I finally solved a problem with a story I used to tell and stopped because world events no longer made it make sense. I once tried working on this story in a coaching workshop and got very frustrated because the workshop leader had his own ideas and did not respect my process. I am even more annoyed because I realize now that he could have led me to a solution by asking one question.

7) If this gadget were still available, it would be perfect for the white elephant gift exchange at my company's holiday party. (By the way, a real lickometer is used to measure how much a rodent licks.)

8) When a teenager is murdered on a bus (as happened not too long ago in Maryland), why is it relevant that he was an honor student? Dead kids get no grades.

9) Light pollution has become a serious problem for fireflies in Thailand and Malaysia.

10) Clive Barnes died. His theatre criticism, while I didn't always agree with it, was often interesting.
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I read a news article today which claims that taking a brisk walk can reduce or eliminate the craving for chocolate. The effect lasts while one is walking and for about 10 minutes afterwards.

What I want to know is whether eating chocolate can eliminate the craving for a brisk walk.
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The 2008 Ig Nobel Prize winners were announced Thursday night. They involve everything from armadillos to slime molds to lap dancers.

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