In Which I Did a Lot of Stuff
Mar. 28th, 2024 11:28 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I’ve been fairly busy over the past few weeks. The biggest thing was the Women’s Storytelling Festival, which deserves its own entry. In the meantime, you can still buy a virtual ticket through April 1st and listen to 16 hours of recorded stories. Go to the WSF ticketing page.
In terms of other stuff I’ve been doing, here is what I can decipher from what I scribbled on my calendar and notebooks.
Leading Jewish Minds at MIT: Emily Pollock gave a talk on Continuities, Contradictions, and Carmina Burana: The Problem of Carl Orff. The short version of the problem with Carl Orff is that he used nationalistic language to get his teachings (primarily about pedagogy and primitivism) accepted. He was interested in the medieval, ancient Greek, and Baroque pasts, which led to him using simplified, repetitive rhythms, for example. As a result he did things like write music to replace Mendelssohn’s for A Midsummer Night’s Dream. His best known work is, of course, Carmina Burana, which is a scenic cantata (not an opera) and was based on medieval Latin poems. It premiered in Frankfurt in 1937.
That led to the question of whether or not music is political. Professor Pollock noted that, while his music was praised by Hitler, Orff was not a member of the Nazi party. The nuances have to do with historiography, i.e. how we tell the tory and music as a cultural phenomenon. She didn’t have any real answers to this. Orff is played in Israel, while Wagner is, in general, not.
Incidentally, in talking about other German music of the time, Pollock talked a little about Winfried Zillig's opera, Das Opfer, which has to do with the fatal Terra Nova expedition of 1912, during which Robert Falcon Scott and 4 of his companions died on their return from the South Pole. (By the way, the opera apparently does not include Evans, who died earlier than the others.) The intriguing part of this is that the chorus is dressed as killer penguins, who surround Oates and perform a victory dance as he walks into the storm to die. I have not actually heard this opera, but I do think the world needs more music with evil penguins gloating about human deaths.
MIT Presidential Tour: Sally Kornbluth, who has been the president of MIT for about a year, has been doing several trips to meet with alumni (and other community members) and it was Washington, DC’s turn on March 7th. This started out with drinks and hors d’oeuvres for Leadership Circle members (which has to do with how much you donate). The room where that was held was a bit awkwardly shaped, making it a bit hard to mingle, though I did have a few interesting conversations. Then we moved to the general reception area, where they had several food stations, as well as a photo booth and a 3-D printer making coasters. I liked the photo they got of me.

Eventually (after more eating and socializing), we were herded into a conference room for President Kornbluth’s talk. Well, actually, she was interviewed by Annalisa Weigel, who is a member of the MIT Corporation (and a big name in the aerospace world). I was glad they started off with the elephant in the room. Namely, we’d had an opportunity to write in questions beforehand and I am pretty sure I am not the only person who asked about safety of students in light of the Palestinian situation. I thought she had a reasonable reply, mostly focused on enforcing existing rules re: campus protests. There was a lot of stuff about how MIT will address other little issues, like climate change, before getting to some more frivolous subjects, e.g. her hobbies, which include a capella singing and making felted flowers. Eventually, we went back into the main room for coffee and dessert (which included chocolate-dipped strawberries). There was also more swag, e.g. ballcaps and tote bags. All in all, it was a nice evening out.
Book Clubs: R.E.A.D. discussed Clara and Mr. Tiffany by Susan Vreeland, which is a novel based on the life of Clara Driscoll, who designed almost all of the famous Tiffany lamps. Crones and Tomes discussed The Thread Collectors by Shauna J. Edwards and Alyson Richman. (You might recall that R.E.A.D. had done that book previously. I did not reread it, since it had been recent enough that I remembered the gist of it.) I should probably also mention that I took some time out from the Women’s Storytelling Festival to call into the TCC Book Club for our discussion of The Places In Between by Rory Stewart, which is about his walk across Afghanistan.
Medical appointment: The last of the catch-up on medical appointments was pretty routine. Mostly, I got the updated pneumonia vaccine that they give to old folks, as well as the final Hepatitis B booster and the RSV vaccine.
Artomatic: I leveraged off being in the vicinity already (for my medical appointment) to go to opening day of Artomatic. This is an art show (including visual art and performance art and films and pretty much anything, since it’s unjuried). On the way there, I stopped at Call My Mother for lunch and, while I know it’s popular, I still find it disappointing and a crime against bageldom.
Anyway, I started at the top floor and worked my way down, managing to look at about half of the displays at Artomatic before fading out. I did take a break to look at a couple of short movies, the best of which was a cartoon about a support group for cats, which resulted in all of the cats moving in with an elderly woman.
This is called “Pink Compass, True North" and is by Sarah Jane Rodman.
Unfortunately, I didn’t capture the name and artist for this sculpture, but I admired the balance and the use of shapes and colors.

This painting by Giovanni Zelaya is called “The Dream is Alive” and depicts Mae Jemison, Sally Ride, and Ellen Ochoa.

There was also a whole wall of little paintings and what looked like refrigerator magnets. depicting books with titles like “Everything I don’t like is WOKE: A book for basic dickheads” and “How to talk to your dog about The Fall of Constantinople.”
I need to get back and see the other three (maybe four) floors of art. One of my friends is doing a storytelling show there, so I hope to get there for that.
Other Stuff: The Saturday before the Women’s Storytelling Festival, we had a Voices in the Glen story swap. I told “Clever Greta,” which is a Grimm story and quite suitable for women’s history month. That Sunday, we had our annual business meeting. And the Sunday after the festival, the Better Said Than Done board had a postmortem of the festival.
We’ve also had three Grimm Keepers meetings because one had had to be postponed due to conflict. “The Children of the Two Kings” is one of the weirder stories, which is saying a lot since my immediate reaction to most of the stories is that they’re really strange. What made it weird is that, while several things are similar to incidents in other stories (e.g. impossible tasks that have to be done for the prince to marry the princess), there’s a recurring image in it involving the use of glass tools, which nobody had any reasonable explanation for. Our discussion of “The Little Donkey” has inspired me to think of trying to do something with the idea of a support group for people who have been turned into animals (or, who were born as animals, but became human.) Finally, we just talked about “The Turnip,” which needs a certain amount of fleshing out to be satisfactory, but I think I could make it tellable. By the way, this is not the same as the Russian story about the giant turnip that takes several people working together to get out of the ground. It’s a tale of sibling rivalry and revenge.
Also, I’ve played board games several times, including managing to make it to NPL Game Night the past three weeks. I had a stupid accident this past Thursday in which I tripped over a concrete parking stop in a supermarket parking lot, ending up with various bruises, including a black eye. At least, so far as I can tell, I didn’t break anything. And, I went to see the William Shatner movie. You Can Call Me Bill with my friend, Kim, this past Sunday, which was interesting but decidedly not what I was expecting.
I still need to do a lot more housework. And do my taxes, the hardest part of which is always finding all of the statements I need.
In terms of other stuff I’ve been doing, here is what I can decipher from what I scribbled on my calendar and notebooks.
Leading Jewish Minds at MIT: Emily Pollock gave a talk on Continuities, Contradictions, and Carmina Burana: The Problem of Carl Orff. The short version of the problem with Carl Orff is that he used nationalistic language to get his teachings (primarily about pedagogy and primitivism) accepted. He was interested in the medieval, ancient Greek, and Baroque pasts, which led to him using simplified, repetitive rhythms, for example. As a result he did things like write music to replace Mendelssohn’s for A Midsummer Night’s Dream. His best known work is, of course, Carmina Burana, which is a scenic cantata (not an opera) and was based on medieval Latin poems. It premiered in Frankfurt in 1937.
That led to the question of whether or not music is political. Professor Pollock noted that, while his music was praised by Hitler, Orff was not a member of the Nazi party. The nuances have to do with historiography, i.e. how we tell the tory and music as a cultural phenomenon. She didn’t have any real answers to this. Orff is played in Israel, while Wagner is, in general, not.
Incidentally, in talking about other German music of the time, Pollock talked a little about Winfried Zillig's opera, Das Opfer, which has to do with the fatal Terra Nova expedition of 1912, during which Robert Falcon Scott and 4 of his companions died on their return from the South Pole. (By the way, the opera apparently does not include Evans, who died earlier than the others.) The intriguing part of this is that the chorus is dressed as killer penguins, who surround Oates and perform a victory dance as he walks into the storm to die. I have not actually heard this opera, but I do think the world needs more music with evil penguins gloating about human deaths.
MIT Presidential Tour: Sally Kornbluth, who has been the president of MIT for about a year, has been doing several trips to meet with alumni (and other community members) and it was Washington, DC’s turn on March 7th. This started out with drinks and hors d’oeuvres for Leadership Circle members (which has to do with how much you donate). The room where that was held was a bit awkwardly shaped, making it a bit hard to mingle, though I did have a few interesting conversations. Then we moved to the general reception area, where they had several food stations, as well as a photo booth and a 3-D printer making coasters. I liked the photo they got of me.

Eventually (after more eating and socializing), we were herded into a conference room for President Kornbluth’s talk. Well, actually, she was interviewed by Annalisa Weigel, who is a member of the MIT Corporation (and a big name in the aerospace world). I was glad they started off with the elephant in the room. Namely, we’d had an opportunity to write in questions beforehand and I am pretty sure I am not the only person who asked about safety of students in light of the Palestinian situation. I thought she had a reasonable reply, mostly focused on enforcing existing rules re: campus protests. There was a lot of stuff about how MIT will address other little issues, like climate change, before getting to some more frivolous subjects, e.g. her hobbies, which include a capella singing and making felted flowers. Eventually, we went back into the main room for coffee and dessert (which included chocolate-dipped strawberries). There was also more swag, e.g. ballcaps and tote bags. All in all, it was a nice evening out.
Book Clubs: R.E.A.D. discussed Clara and Mr. Tiffany by Susan Vreeland, which is a novel based on the life of Clara Driscoll, who designed almost all of the famous Tiffany lamps. Crones and Tomes discussed The Thread Collectors by Shauna J. Edwards and Alyson Richman. (You might recall that R.E.A.D. had done that book previously. I did not reread it, since it had been recent enough that I remembered the gist of it.) I should probably also mention that I took some time out from the Women’s Storytelling Festival to call into the TCC Book Club for our discussion of The Places In Between by Rory Stewart, which is about his walk across Afghanistan.
Medical appointment: The last of the catch-up on medical appointments was pretty routine. Mostly, I got the updated pneumonia vaccine that they give to old folks, as well as the final Hepatitis B booster and the RSV vaccine.
Artomatic: I leveraged off being in the vicinity already (for my medical appointment) to go to opening day of Artomatic. This is an art show (including visual art and performance art and films and pretty much anything, since it’s unjuried). On the way there, I stopped at Call My Mother for lunch and, while I know it’s popular, I still find it disappointing and a crime against bageldom.
Anyway, I started at the top floor and worked my way down, managing to look at about half of the displays at Artomatic before fading out. I did take a break to look at a couple of short movies, the best of which was a cartoon about a support group for cats, which resulted in all of the cats moving in with an elderly woman.
This is called “Pink Compass, True North" and is by Sarah Jane Rodman.

Unfortunately, I didn’t capture the name and artist for this sculpture, but I admired the balance and the use of shapes and colors.

This painting by Giovanni Zelaya is called “The Dream is Alive” and depicts Mae Jemison, Sally Ride, and Ellen Ochoa.

There was also a whole wall of little paintings and what looked like refrigerator magnets. depicting books with titles like “Everything I don’t like is WOKE: A book for basic dickheads” and “How to talk to your dog about The Fall of Constantinople.”
I need to get back and see the other three (maybe four) floors of art. One of my friends is doing a storytelling show there, so I hope to get there for that.
Other Stuff: The Saturday before the Women’s Storytelling Festival, we had a Voices in the Glen story swap. I told “Clever Greta,” which is a Grimm story and quite suitable for women’s history month. That Sunday, we had our annual business meeting. And the Sunday after the festival, the Better Said Than Done board had a postmortem of the festival.
We’ve also had three Grimm Keepers meetings because one had had to be postponed due to conflict. “The Children of the Two Kings” is one of the weirder stories, which is saying a lot since my immediate reaction to most of the stories is that they’re really strange. What made it weird is that, while several things are similar to incidents in other stories (e.g. impossible tasks that have to be done for the prince to marry the princess), there’s a recurring image in it involving the use of glass tools, which nobody had any reasonable explanation for. Our discussion of “The Little Donkey” has inspired me to think of trying to do something with the idea of a support group for people who have been turned into animals (or, who were born as animals, but became human.) Finally, we just talked about “The Turnip,” which needs a certain amount of fleshing out to be satisfactory, but I think I could make it tellable. By the way, this is not the same as the Russian story about the giant turnip that takes several people working together to get out of the ground. It’s a tale of sibling rivalry and revenge.
Also, I’ve played board games several times, including managing to make it to NPL Game Night the past three weeks. I had a stupid accident this past Thursday in which I tripped over a concrete parking stop in a supermarket parking lot, ending up with various bruises, including a black eye. At least, so far as I can tell, I didn’t break anything. And, I went to see the William Shatner movie. You Can Call Me Bill with my friend, Kim, this past Sunday, which was interesting but decidedly not what I was expecting.
I still need to do a lot more housework. And do my taxes, the hardest part of which is always finding all of the statements I need.