Entry tags:
January / February 2025 Doings
I started off 2025 with a lot of routine activities, e.g. playing Code Names (our favorite board game) over zoom with friends, the Grimm folktales discussion group, and my needlework group.
There was a Travelers’ Century Club meeting in early January, at which I happened to be sitting next to someone who was from the town where I went to high school (My home town still doesn’t have its own high school.) In February, there was an excellent Virtual Explorations presentation on Cybersecurity for Travelers, preceded by the Book Club discussion on A History of the World in Twelve Shipwrecks.
I was only able to go to part of Paul Joskow’s talk on Climate Change Policy in MIT Hillel’s Leading Jewish Minds series. The talks are recorded, but it is hard finding time to go back and watch recordings.
I made it to the February Jewish Genealogy Society of Greater Washington meeting (over zoom), which focused on the Allen County Public Library in Fort Wayne, Indiana. This was basically preparation for the upcoming IAJGS conference in Fort Wayne in August.
American Opera Initiative: My first excursion to the Kennedy Center this year was to see the annual American Opera Initiative, which consists of three 20-minute operas. The first one was Tati by composer Kyle Brenn and Librettist Lex Brown. The plot had to do with three people - an activist running from a criminal charge, a pregnant marine biologist who is the activist’s partner, and the investor who was responsible for the bioengineered blue whale the three of them are living in. The problem is that the whale is dying. The premise kept my interest and the music seemed to fit the theme well, so I thought this was fairly successful.
The second opera was Cry, Wolf by composer JL Marlor and librettist Clare Fuyuko Bierman. The plot had to do with a college student who wants a girlfriend. His brother is visiting and the two of them are influenced by an incel to be lone wolves. This was effectively creepy, particularly when they ended with a chorus of howling.
The final opera was Mud Girl by composer Omar Jajimi and librettist Christine Evans. The story has to do with two homeless women - one middle-aged (Maude) and one much younger (River) - who live under a bridge in a post-apocalyptic world. River creates an AI creature (named Poly) out of plastic trash. The gimmick was that Poly was played by 2 singers. This got the best reviews of the three, but I liked it the least. All three of the operas were dystopian, but this one had the least subtlety to it.
Stupid Accident: Early in February, I was meeting a friend who was visiting from out of town. We were going to have lunch at Immigrant Foods and go to Planet Word, which is an excellent museum about language. On the way there, after a detour because I was wrong about what street the museum is on, I face planted after tripping on a curb. I wasn’t seriously injured, but I sure looked beaten up. We did have a nice lunch and an even nicer chat, but I skipped the museum part.
Schmigadoon: In February, the Kennedy Center had a live version of Schmigadoon, which had been a 6 part series on Apple TV+. Since I am a hopeless musical theatre geek, of course I loved the series. Which meant that I had to see this on stage. Overall, it was reasonably true to the TV series, although Josh was played by Alex Brightman who, unlike Keegan-Michael Key who played the part on TV, is white. That meant that the interracial aspect of Josh’s relationship with Melissa (played by Sara Chase) was missing. There were also a few added songs. There are inherent differences between watching the show all in one piece versus over several weeks, so it felt a bit exhausting. But it was still a fun evening.
There was a Travelers’ Century Club meeting in early January, at which I happened to be sitting next to someone who was from the town where I went to high school (My home town still doesn’t have its own high school.) In February, there was an excellent Virtual Explorations presentation on Cybersecurity for Travelers, preceded by the Book Club discussion on A History of the World in Twelve Shipwrecks.
I was only able to go to part of Paul Joskow’s talk on Climate Change Policy in MIT Hillel’s Leading Jewish Minds series. The talks are recorded, but it is hard finding time to go back and watch recordings.
I made it to the February Jewish Genealogy Society of Greater Washington meeting (over zoom), which focused on the Allen County Public Library in Fort Wayne, Indiana. This was basically preparation for the upcoming IAJGS conference in Fort Wayne in August.
American Opera Initiative: My first excursion to the Kennedy Center this year was to see the annual American Opera Initiative, which consists of three 20-minute operas. The first one was Tati by composer Kyle Brenn and Librettist Lex Brown. The plot had to do with three people - an activist running from a criminal charge, a pregnant marine biologist who is the activist’s partner, and the investor who was responsible for the bioengineered blue whale the three of them are living in. The problem is that the whale is dying. The premise kept my interest and the music seemed to fit the theme well, so I thought this was fairly successful.
The second opera was Cry, Wolf by composer JL Marlor and librettist Clare Fuyuko Bierman. The plot had to do with a college student who wants a girlfriend. His brother is visiting and the two of them are influenced by an incel to be lone wolves. This was effectively creepy, particularly when they ended with a chorus of howling.
The final opera was Mud Girl by composer Omar Jajimi and librettist Christine Evans. The story has to do with two homeless women - one middle-aged (Maude) and one much younger (River) - who live under a bridge in a post-apocalyptic world. River creates an AI creature (named Poly) out of plastic trash. The gimmick was that Poly was played by 2 singers. This got the best reviews of the three, but I liked it the least. All three of the operas were dystopian, but this one had the least subtlety to it.
Stupid Accident: Early in February, I was meeting a friend who was visiting from out of town. We were going to have lunch at Immigrant Foods and go to Planet Word, which is an excellent museum about language. On the way there, after a detour because I was wrong about what street the museum is on, I face planted after tripping on a curb. I wasn’t seriously injured, but I sure looked beaten up. We did have a nice lunch and an even nicer chat, but I skipped the museum part.
Schmigadoon: In February, the Kennedy Center had a live version of Schmigadoon, which had been a 6 part series on Apple TV+. Since I am a hopeless musical theatre geek, of course I loved the series. Which meant that I had to see this on stage. Overall, it was reasonably true to the TV series, although Josh was played by Alex Brightman who, unlike Keegan-Michael Key who played the part on TV, is white. That meant that the interracial aspect of Josh’s relationship with Melissa (played by Sara Chase) was missing. There were also a few added songs. There are inherent differences between watching the show all in one piece versus over several weeks, so it felt a bit exhausting. But it was still a fun evening.